Oh, Now Disney Wants Men Back In Theaters After Years Of Catering To Feminism – Good Luck With That One

I’ve got news for you, unless you get rid of the woke crap, tell us stories with believable hero’s, you’ll stay the democratic part of the entertainment industry. You’ll never see us again. We’re the people cheering Gina Carino and Ron DeSantis.

A recent report from Variety claims that the top echelons of Disney are scrambling to figure out how to entice the male demographic back into theaters, specifically Gen Z men.  Apparently, a media company alienating 50% of their audience base is, in fact, a bad business decision.  The mind boggles…   

Keep in mind, this is the same company that coined the phrase “The Force Is Female” and “Her-O” (instead of “Hero”…very clever).  This is the same company that tried to embed gay and trans characters into movies for toddlers.  This is the same company that actually went to war with the state of Florida to force them to accept LGBT and gender fluid indoctrination in public schools in opposition to the vast majority of the voting population. 

Finally, this is the same company that tried to bait and switch legendary male heroes for feminist “Girl Boss” heroes in every significant action/fantasy/sci-fi franchise they own the rights to. 

They turned Star Wars and Marvel, two of the biggest box office properties of all time, into the menstruation huts of the cinema world.  They went from making billions per project, to bombing harder than Nagasaki in theaters and in streaming. 

The crux of the problem is that media companies have systematically eliminated any factors that might remotely interest men.  This was not an accident, they did this by design.  This includes going to war against the “male gaze” and the archetype of the male protector (knight in shining armor).  Female protagonists alone are not a deal breaker, but remove all femininity, all sex appeal and browbeat the audience with anti-male messaging about how women “don’t need no man” and there goes your biggest potential cash pool.    

Disney has been at the forefront of the woke deconstructionist agenda to rewrite or destroy every masculine western pop culture figure of the past 50 years.  They treated these icons as sacrificial lambs; joyfully slaughtered to appease the demonic gods of feminism.  And now, they want the men they openly despise to come running back with wallets in hand?

That’s a new level of crazy.  But hey, that’s Disney.

There’s more here if you care

Star Wars Has A Chance Of Being Good Again, And Less Woke – Kathleen Kennedy to Step Down from Lucasfilm

Other than Dylan Mulvany ruining Bud Light, Kennedy is the only one who comes close in terms of using wokeness to ruin a franchise.

In a move that has sent shockwaves through Hollywood and the passionate Star Wars fandom, Kathleen Kennedy, the longtime president of Lucasfilm, is reportedly set to retire by the end of 2025.

After more than a decade steering one of Disney’s most iconic franchises into the ground, Kennedy’s departure marks the end of an era defined by ambitious expansion, woke creative decisions, and a relentless push to modernize a galaxy far, far away. The news—first reported by industry insider Matthew Belloni of Puck—has sparked widespread speculation about the future of Star Wars and its place within Disney’s sprawling empire.

Kennedy’s tenure began in 2012 when she joined Lucasfilm as co-chair alongside founder George Lucas. Months later, Disney acquired the studio for $4 billion, Lucas stepped away, and Kennedy ascended to the presidency.

Handpicked by Lucas himself, she brought a storied resume, having co-founded Amblin Entertainment with Steven Spielberg and produced cultural juggernauts like E.T. the Extra-Terrestrial, Jurassic Park, and the Indiana Jones series. Her task at Lucasfilm was monumental: revive Star Wars for a new generation while honoring its legacy.

She failed miserably.

Under Kennedy’s leadership, Disney launched the Star Wars sequel trilogy, beginning with 2015’s The Force Awakens, which grossed over $2 billion worldwide and reignited global fervor for the franchise. The trilogy, concluding with 2019’s The Rise of Skywalker, raked in more than $4.4 billion combined, though it faced diminishing returns and fierce backlash from some fans over its narrative direction.

Spin-offs like Rogue One (2016) and Solo (2018) followed, alongside a bold pivot to streaming with Disney+ series such as The Mandalorian, Andor, and The Acolyte. The Mandalorian, in particular, became a cultural phenomenon, proving Star Wars could thrive beyond the big screen.

The Acolyte, on the other hand, was panned as a woke expression of personal failures that woefully found themselves polluting the failed project.

Critics—especially vocal segments of the fanbase—accused her of steering the franchise toward radical leftist territory, citing diverse casting and progressive themes as departures from Lucas’s original vision. High-profile stumbles, like the cancellation of The Acolyte after one season due to low viewership, and the debacle of 2023’s Indiana Jones and the Dial of Destiny, fueled calls for her ouster.

Elon Musk famously piled on, branding her “more deadly than the Death Star” in 2024 for her creative choices. Even South Park took a swipe, lampooning her as a symbol of Disney’s pandering.

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The Final Ruination Of Star Wars – ‘Star Wars’ Reveals Its First Transgender Stormtrooper

First of all, stormtroopers are clones of Jango Fett. That means they are all the same. They are all trannies or none of them are. They are grown to act in obedience to orders, not defiance or pervertedness.

That is how Star Wars works when written correctly. Good vs Evil. Rebels vs the Dark Side of the Force. There is no woke or social justice warrior Karens, other than Disney and Kathleen Kennedy.

If they were trying to kill the franchise for good, this is one of the final nails in the coffin.

The audience, while being wide is still the geeks who collect action figures and believe in the story as it should be told.

Now this:

The introduction of the first transgender “stormtrooper” in the cherished sci-fi franchise by “Star Wars” has prompted split fan reactions.

The new trans character’s name will be “Sister,” and the stormtrooper was debuted this week in a new book called “Star Wars: The Secrets of the Clone Troopers.”

The book featured images of the character dressed in armor painted in the transgender flag’s pink and blue hues.

“When one of our kind expressed her gender identity differently than her fellow troopers, she featured [sic] she’d have to hide who she truly was inside. Fortunately, her brothers in the 7th Sky Corps gave her the name Sister as a constant reminder that she belonged,” the Star Wars Holocron X account posted.

THE SECRETS OF THE CLONE TROOPERS includes a first look at Sister, a trans woman clone trooper

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I call BS. It’s time to end this woke crap and tell a good story. Get rid of Rey, the pretend Skywalker. Bring back the guys that can’t shoot straight and the real Emporer. Not these fake and woke POS characters, or risk losing the franchise.

It will be the Bud Light Story of the Universe

Things That Will Never Happen – ‘Star Wars’-Killer Kathleen Kennedy Waiting to Retire on a ‘Win’

She ruined multiple franchises and changed the story. While she completely misunderstood that the audience was a bunch of geeks who enjoyed the fantasy that the series gave us. It was not just the feminism and gay crap, but rather the reality that men win the wars and saved the universe.

If the woke Olympics gave us nothing, it showed the reality that girls can’t beat men in battle.

So retire and quit ruining our lives with the crap movies that you touch (every one of them). Your equation for movies will never give you a win.

She goes down in history with the Bud Light girl who ruined that franchise.

Woke ruins everything it touches and it’s too bad that Star Wars was a victim

Here’s the story.

Lucasfilm chiefstress Kathleen “Franchise Killer” Kennedy is ready to retire but wants to go out on a win rather than slink away after destroying forever two franchises that were once seen as bulletproof: Star Wars and Indiana Jones.

At this point, one can only wonder what blackmail she might hold over Disney Grooming Syndicate chief Bob Iger. Her Lucasfilm reign has been catastrophic, to say the least. Under her woke and hammy hands, Star Wars has alienated a fan base that was once so fervent they forgave the Lucas prequels.

According to the Chief Medical Examiner, the slow death of Star Wars was caused by a dreadful trilogy of sequels and a half-dozen wretched Disney+ streaming series—the latest being The Acolyte, which was laughed (lesbian witches birthed the Jedi or something) off the planet. All of this garbage was poisoned by spell-breaking identity politics, left-wing lectures, and an obvious hatred and contempt for the fan base that made Star Wars a cultural phenomenon.

Star Wars is so broken, what was supposed to be an ongoing film franchise that would deliver two movies a year has now gone five years without a new release. The only news around Star Wars movies today is all the projects that get canceled.

Kennedy did the same with Indiana Jones and the Dial of Destiny. Instead of delivering for the fans, she produced a box office catastrophe by teaming Indy up with a sexless girlboss.

Oh, and let’s not forget Willow, which she turned into a streaming gay-fest so hated by the fans Disney removed it from its streaming service.

Were Kennedy to exit Lucasfilm today, it would be covered in the disgrace she deserves. But thanks to affirmative action she remains in a job a white guy would’ve lost five years ago, and based on this report she intends to stay until she can walk out, head held high.