Celebrities Are Just Dumbasses – ‘Snow White’s initial earnings are dismal considering the film cost more than $250 million to make.’

‘Snow White’ Star Wishes Harm to MAGA, then is Shocked when Woke Film Flops

March 23, 2025

(Luis Cornelio, Headline USA) Disney’s live-action remake of Snow White appears poised to rank among the studio’s worst-performing films in recent years, according to box office numbers reviewed by the Daily Mail. 

Starring actress-turned-leftist activist Rachel Zegler, the movie has earned just $3.5 million in Thursday previews and is expected to bring in from $45 million to $55 million during its opening weekend—far below $95 million made by the live-action remake of Little Mermaid. 

Snow White’s initial earnings are striking considering the film cost more than $250 million to make, according to the Mail. 

The movie, most of which was shot in 2022, has been mired in controversy from the start, with several re-shoots and anti-Trump controversies delaying its release.  

Additionally, Disney has been accused of making the movie woke in a bid to send a political message.

(Spoilers Warning)

In the remake, Snow White is portrayed as an empowered figure who no longer depends on Prince Charming to break the Evil Queen’s curse.  

The film notably omits the classic Someday My Prince Will Come and features computer-generated versions of the dwarves—rather than actual little people.

Cleary, this snotty apology didn’t do the trick. The movie is a total flop.

From the weirdly militant empowerment script to the CGI dwarves who looked like rejected extras from an Activia commercial, this movie was doomed from the start. Disney couldn’t even decide what race—or species—the characters were supposed to be. We got a Hispanic German princess who hates romance, saddled up with seven woke bandits who look like they wandered in from an Antifa street theater production.

While the studio was busy spinning a color wheel to balance skin tones and checking off pronouns like it was DEI Bingo Night, they forgot about little things like story, heart, and watchability.

The result was a film so bland, awkward, and desperate to prove its political correctness that it forgot to be fun. Or magical. Or even remotely coherent.

Let’s be clear: this isn’t just about one bad movie. This is what happens when corporate entertainment gets hijacked by activism. Just like everything else in America—medicine, education, even the judiciary—once it goes woke, it goes straight to hell.

In Hollywood’s case, movies stopped being magical escapes, and the artistic part morphed into painful, patronizing “cat lady lectures.” And that’s not an exaggeration—even James Carville, the baldheaded Cajun Dem whisperer, admitted the Left has a “preachy female” problem. Honestly, that was being generous. The truth is that these left-wing women sound like nagging hall monitors with a superiority complex. Women like Rachel Zegler don’t inspire—they lecture. They scold. They dictate how we should think, vote, love, and live.

And they always deliver the lecture in the same tone: smug, joyless, and without a single spark of soul. Always, always dead behind the eyes.

It’s no wonder no one wants to buy a ticket. We go to the movies to escape, not to be emotionally waterboarded by some twenty-something dip who thinks she’s smarter and more evolved than the rest of us. If we wanted a finger-wagging sermon, we’d go to brunch with an MSNBC reporter.

The result of this “Ted Talk” attitude is a box office graveyard full of preachy, unwatchable flops that feel more like punishment than entertainment. At this point, most Americans would rather chow down on a poison apple than sit through another two-hour lecture on female empowerment, climate justice, and how Prince Charming is actually a creepy stalker.

So in the end, here lies Disney’s Snow Woke—face down in the enchanted forest, poisoned by its own bloated ego and insufferable politics.

No prince. No love story. No charm. No audience.

All that’s left is a sad little kingdom of ashes and seven confused little virtue signals wandering through the wreckage, clutching their diversity checklists and wondering why the magic never happened.

Spoiler alert: the magic choked to death on its own moral superiority.

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Trash your audience, karma is a bitch. These people don’t know how to think like normal people, or when to STFU